To hold accountability for myself (and to have a place to store all of the thoughts while reading the book, for help in scripting a final YouTube video (or multiple videos on each point)) here is where I list down all thoughts in the form of mini-essays and headings:
1. The Title
The title Amusing Ourselves to Death feels profoundly relevant, especially in today’s digital age, where entertainment has taken over nearly every aspect of life. Social media platforms, streaming services, and short-form content like reels and TikToks cater to—and feed onto—our constant craving for amusement, often at the expense of critical thinking. It makes an already bad situation worse, and keeps on worsening it.
Much like Postman’s critique of television, modern digital tools prioritize instant gratification. Spectacle over depth and truth. Political campaigns are reduced to viral moments, news is sensationalized for clicks, and even education is gamified to maintain attention. Some things work to benefit, some to detriment.
In a time when distraction has become a cultural norm for all ages, the title underlines the stark reality: society’s over-reliance on amusement as a form of engagement risks trivializing important issues and eroding intellectual discourse, making Postman’s warning more urgent and relevant than ever.
2. Orwell vs Huxley
We were keeping our eye on 1984. When the year came and the prophecy didn’t, thoughtful Americans sang softly in praise of themselves. The roots of liberal democracy had held. Wher- ever else the terror had happened, we, at least, had not been visited by Orwellian nightmares.
But we had forgotten that alongside Orwell’s dark vision, there was another-slightly older, slightly less well known, equally chilling: Aldous Huxley’s Brave New World. Contrary to common belief even among the educated, Huxley and Orwell did not prophesy the same thing. Orwell warns that we will be overcome by an externally imposed oppression. But in Huxley’s vision, no Big Brother is required to deprive people of their autonomy, maturity and history. As he saw it, people will come to love their oppression, to adore the technologies that undo their capacities to think.
What Orwell feared were those who would ban books. What Huxley feared was that there would be no reason to ban a book, for there would be no one who wanted to read one. Orwell feared those who would deprive us of information. Huxley feared those who would give us so much that we would be reduced to passivity and egoism. Orwell feared that the truth would be concealed from us. Huxley feared the truth would be drowned in a sea of irrelevance. Orwell feared we would become a captive culture. Huxley feared we would become a trivial culture, preoccupied with some equivalent of the feelies, the orgy porgy, and the centrifugal bumblepuppy. As Huxley remarked in Brave New World Revisited, the civil libertarians and rationalists who are ever on the alert to oppose tyranny “failed to take into account man’s almost infinite appetite for distrac- tions.” In 1984, Huxley added, people are controlled by inflict- ing pain. In Brave New World, they are controlled by inflicting pleasure. In short, Orwell feared that what we hate will ruin us. Huxley feared that what we love will ruin us.
This book is about the possibility that Huxley, not Orwell, was right.
In the Foreword of Amusing Ourselves To Death, by Neil Postman
(create flowcharts for different mechanism, same end result)
Neil Postman juxtaposes the dystopian visions of George Orwell’s 1984 and Aldous Huxley’s Brave New World to contextualize his argument about the dangers of media-driven culture. While both authors warned of the same end result (i.e. societies losing their freedom and hence, humanity), they envisioned different mechanisms for this decline.
Orwell’s 1984: External Oppression by Force Orwell imagined a society dominated by authoritarian regimes that use force and censorship to suppress ideas and control people. Truth is actively distorted. Individuality is crushed under a surveillance state. Fear ensures obedience. Punishment and propaganda are used as whips to keep citizens in line.
Huxley’s Brave New World: Internal Oppression by Pleasure Huxley wrote of a society enslaved by its own desires and distractions. In his world, truth and critical thinking are irrelevant because people are pacified by endless entertainment, consumerism, and indulgence in pleasure. Individuals willingly surrender their autonomy because they are too distracted or content to care about deeper issues.
Which one of these dystopias feel closer to present day home? Are people not reading books because they’re banned by the government, or are they not reading books because they can’t, because it’s just that difficult, because there’s better (read as: easier, more pleasurable) things to do? You spend 8 hours on Instagram or Tik tok or Twitter or YouTube or your chosen drug and do you remember all that you saw? Is that how you want to be spending your 8 hours? Thoughtlessly, mindlessly, with zero intentionality. (Refer to: how in Flow the author writes that even leisure time should have intentional structure for it to be enjoyable.)
Our passive surrender to pleasure and trivial amusements is what has made critical thinking obsolete.
(simplified: carrot vs stick)
(my own understanding)
3. Reframing of the meaning of pleasure and leisure
Comment on Flow: The Psychology of Optimal Experience, by Mihaly Csikszentmihalyi, and how he writes that even leisure time needs a certain degree of structure for it to be beneficial for you. Pleasure has completely changed its meaning. We don’t find that many things funny lately. Our standards have lowered. Even mildly amusing is deemed as valuable enough to occupy our time.
(past vs present, how the meaning of pleasure has changed for us)
When bored or waiting, we invariably find ourselves resorting to our default device i.e. our phones. The endlessly refreshable, scrollable, swipable feeds are stimulating. 5 minutes become 2 hours.
Instead consider this alternate scenario if you aim to read more books for your own good: You’re bored and you have a book on hand. You read half a page. You read a whole page. Then a chapter. Even if you were to stop at half a page, it would still have been fine, considering that’s half a page more than what you’d otherwise have read.
Read on your commute. Read in class. Read before sleeping. Read right after waking up.
Just replace 30% of the times you take the phone with taking a book and you’ll be amazed. Just choose reading your default. Make it your choice of chilling.
2. Decrease Visual Content Consumption
We consume so much these days. TV shows, web series, memes, reels, what not. In and in and in. On and on and on. But there’s only a limit, right? There’s only so much one can take in.
And if you’re neck-deep saturated with visual media, then there’s no room for other things. You need to make room. You need to remove things from your plate before you can add more. Elimination before addition.
Try to limit/decrease/nullify your visual media consumption and there will be space for the old school books on its own. You’ll find yourself naturally gravitating towards the pages. And that’s how it should be. A natural leaning in towards reading, not forcing yourself to read.
3. Read Multiple Books Parallelly
At any point of time, if you were to ask me what am I reading, more often than not, I’ll start spewing a list of books. Three in the least, generally five.
Why? Why read multiple books parallelly?
Because we crave variety. Different things at different times.
I may be sad and want to read poetry. I may want to motivate myself and read self-help. I may want to read a slow book. A big book. A fiction book. A safe book. A page turner. A cliff-hanger. Oh my, so much variety! Different moods warrant different types of text as being pleasurable, enjoyable.
As for me, I generally have a big, heavy one + a motivational thingy relevant to academics + an easy, light read that I can turn to even if I’m tired AF. These going parallelly.
Right now, here are the ones I’m reading, with their contexts as they concern me:
1. Hyperfocus: How to Work Less to Achieve More (by Chris Bailey)
Read one section before sitting down to study to clear my head and keep the high up.
2. No Matter the Wreckage (by Sarah Kay)
Read to write. I read poems in here to open the gate of emotions and words inside me so that I can write poems. Yeah. Works.
3. No Sweat: How the Simple Science of Motivation Can Bring You a Lifetime of Fitness (by Michelle Segar)
I read anything in here and am convinced to go work out.
4. Pole Dancing, Empowerment and Embodiment (by Samantha Holland)
Started for obvious reasons. Interesting, if only a little too academic, read so far.
5. The Lupus Book (by Daniel J. Wallace)
After The Emperor Of All Maladies by Siddhartha Mukherjee, I’ve found that reading a book on the disease/disorder/topic you’re interested in, makes you infinitely more receptive for the textbook content on the topic and it somehow makes you like the topic.
6. The Daily Stoic (by Ryan Holiday)
Ah. It’s a slow read and I’m now enjoying it so this has been an ongoing book since a couple of months.
7. How Not to Die (by Gene Stone and Michael Greger)
Oh my, 800 page book. I’m halfway through and tbvh, it has kinda gotten repetitive at this point. Meat bad, plant good, eat nuts. But yeah, let’s see. Slow read again. Ongoing since a couple of months.
16 // The Filter Bubble: What The Internet Is Hiding From You (Eli Pariser, 2011)
23 // Notes from Underground (Fyodor Dostoevsky, 1864)
26 // Sapiens: A Brief History of Humankind (Yuval Noah Harari, 2011)
31 // The Lost Book of the White (Cassandra Clare and Wesley Chu, 2020)
February 2021
7 // On Earth We’re Briefly Gorgeous (Ocean Vuong, 2019)
17 // Clean – Expanded Edition: The Revolutionary Program to Restore the Body’s Natural Ability to Heal Itself (Alejandro Junger and Amely Greeven, 2009)
March 2021
10 // Walden (Henry David Thoreau, 1854)
15 // Chain of Gold (Cassandra Clare, 2020)
23 // Originals: How Non-Conformists Move the World (Adam Grant, 2016)
25 // Legendary Flexibility (Jujimufu, 2017)
27 // Homo Deus: A Brief History of Tomorrow (Yuval Noah Harari, 2015)
28 // Ella Minnow Pea (Mark Dunn, 2001)
28 // Make It Stick (Peter C. Brown, Henry L. Roediger III, Mark A. McDaniel, 2014)
7 // If on a Winter’s Night a Traveler (Italo Calvino, 1979)
April 2021
9 // Deep Work: Rules for Focused Success in a Distracted World (Cal Newport, 2016)
12 // How to Win at College: Surprising Secrets for Success from the Country’s Top Students (Cal Newport, 2005)
15 // Make Time: How to Focus on What Matters Every Day (Jake Knapp and John Zeratsky, 2018)
20 // The Metamorphosis (Franz Kafka, 1915)
29 // The State of Affairs: Rethinking Infidelity (Esther Perel, 2017)
May 2021
1 // How to Become a Straight-A Student: The Unconventional Strategies Real College Students Use to Score High While Studying Less (Cal Newport, 2006)
4 // Stiff: The Curious Lives of Human Cadavers (Mary Roach, 2003)
6 // Difficult Loves (Italo Calvino, 1970)
6 // Why Read the Classics? (Italo Calvino, 1991)
7 // Human Errors: A Panorama of Our Glitches, from Pointless Bones to Broken Genes (Nathan H. Lents, 2018)
8 // Show Your Work! (Austin Kleon, 2014)
10 // How to Use Graphic Design to Sell Things, Explain Things, Make Things Look Better, Make People Laugh, Make People Cry, and (every Once in a While) Change the World (Michael Bierut, 2015)
12 // Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones (James Clear, 2018)
16 // Crush (Richard Siken, 2005)
16 // How to Do Nothing: Resisting the Attention Economy (Jenny Odell, 2019)
17 // The Complete Short Stories of Sherlock Holmes (Arthur Conan Doyle, 1892)
17 // Great Goddesses: Life Lessons from Myths and Monsters (Nikita Gill, 2019)
18 // Act Like a Lady, Think Like a Man, Expanded Edition: What Men Really Think About Love, Relationships, Intimacy, and Commitment (Steve Harvey, 2009)
18 // Essentialism: The Disciplined Pursuit of Less (Greg McKeown, 2014)
20 // When: The Scientific Secrets of Perfect Timing (Daniel H. Pink, 2018)
20 // Keep Going: 10 Ways to Stay Creative in Good Times and Bad (Austin Kleon, 2019)
20 // Steal Like an Artist (Austin Kleon, 2012)
24 // The Exact Opposite of Okay (Laura Steven, 2018)
29 // Daily Rituals: How Artists Work (Mason Currey, 2013)
29 // Conscious Loving: The Journey to Co-commitment (Gay Hendricks and Kathlyn Hendricks, 1990)
31 // Little Weirds (Jenny Slate, 2019)
June 2021
1 // Ignore Everybody: And 39 Other Keys to Creativity (Hugh Macleod, 2009)
3 // The Book of Delights: Essays (Ross Gay, 2019)
4 // Cosmicomics (Italo Calvino, 1965)
4 // Hands-On Chaos Magic: Reality Manipulation Through the Ovayki Current (Andrieh Vitimus, 2009)
5 // Ten Arguments for Deleting Your Social Media Accounts Right Now (Jaron Lanier, 2018)
6 // How to Think Like Leonardo Da Vinci (Michael J. Gelb, 1998)
6 // Pride and Prejudice (Jane Austen, 1813)
6 // Do the Work (Steven Pressfield, 2011)
10 // Let It Out: A Journey Through Journaling (Katie Dalebout, 2016)
13 // The Sun and Her Flowers (Rupi Kaur, 2017)
15 // The Princess Saves Herself in This One (Amanda Lovelace, 2016)
15 // Our Men Do Not Belong To Us (Warsan Shire, 2014)
15 // Teaching My Mother How To Give Birth (Warsan Shire, 2011)
17 // Wild Embers: Poems of Rebellion, Fire and Beauty (Nikita Gill, 2017)
17 // Your Soul Is a River (Nikita Gill, 2016)
17 // 101 Essays That Will Change the Way You Think (Brianna Wiest, 2016)
19 // Chain of Iron (Cassandra Clare, 2021)
23 // I Would Leave Me If I Could: A Collection of Poetry (Halsey, 2020)
July 2021
11 // The 4-Hour Workweek (Tim Ferriss, 2007)
12 // The Shallows: What the Internet Is Doing to Our Brains (Nicholas G. Carr, 2010)
12 // Depression & Other Magic Tricks (Sabrina Benaim, 2017)
23 // Mr. Penumbra’s 24-Hour Bookstore (Robin Sloan, 2012)
31 // Do Hard Things: A Teenage Rebellion Against Low Expectations (Alex Harris and Brett Harris, 2008)
August 2021
20 // The Memory Keeper’s Daughter (Kim Edwards, 2005)
21 // Yesterday I Was The Moon (Noor Unnahar, 2017)
30 // The Picture of Dorian Gray (Oscar Wilde, 1890)
30 // Hold Your Own (Kate Tempest, 2014)
September 2021
12 // Will Grayson, Will Grayson (David Levithan and John Green, 2010)
October 2021
14 // 1984 (George Orwell, 1949)
15 // Flights (Olga Tokarczuk, 2007)
19 // F.U. Money (Dan Lok, 2009)
26 // Creative Journal Writing: The Art and Heart of Reflection (Stephanie Dowrick, 2007)
28 // The Meaning Of Things (Eugene Halton and Mihaly Csikszentmihalyi, 1981)
November 2021
4 // 40 Alternatives to College (James Altucher, 2012)
5 // Choose Yourself! Be Happy, Make Millions, Live the Dream (James Altucher, 2013)
6 // How to Disappear: Erase Your Digital Footprint, Leave False Trails, And Vanish Without A Trace (Eileen C. Horan and Frank Ahearn, 2010)
7 // Drive: The Surprising Truth About What Motivates Us (Daniel H. Pink, 2009)
12 // Super Immunity: The Essential Nutrition Guide for Boosting Your Body’s Defenses to Live Longer, Stronger, and Disease Free (Joel Fuhrman, 2011)
12 // On Writing Well (William Zinsser, 1976)
13 // How to Build a Memory Palace (Sjur Midttun, 2016)
Dhriti Patel 