Categories
2025 reading

List: Books I Read in 2025! [12]

January = 0
February = 1
March = 1
April = 0
May = 0
June = 1
July = 1
August = 3
September = 0
October = 2
November = 0
December = 2


Total = 11


February 2025

21 // The Boy, the Mole, the Fox and the Horse (Charlie Mackesy, 2019)


March 2025

5 // The Defining Decade: Why Your Twenties Matter–And How to Make the Most of Them Now (Meg Jay, 2012)


June 2025

3 // The Consolations of Philosophy (Alain de Botton, 2000)


July 2025

18 // Before We Forget Kindness (Toshikazu Kawaguchi, 2024)


August 2025

15 // The Unbearable Lightness of Being (Milan Kundera, 1984

17 // Quiet: The Power of Introverts in a World That Can’t Stop Talking (Susan Cain, 2012)

23 // My Husband: A Novel (Maud Ventura, 2023)


October 2025

17 // Useful Not True (Derek Sivers, 2024)

25 // An Education in Happiness: The Lessons of Hesse and Tagore (Flavia Arzeni, 2008


December 2025

25 // Counting Backwards: A Doctor’s Notes on Anesthesia (Henry Jay Przybylo, 2017)

29 // The Architecture of Happiness (Alain de Botton, 2006)


Categories
2024 reading

List: Books I Read in 2024! [9]

January = 1
February = 0
March = 2
April = 1
May = 1
June = 0
July = 1
August = 1
September = 1
October = 1
November = 0
December = 0
Total = 9


January 2024

17 // Please Look After Mother (Kyung-Sook Shin, 2008)


March 2024

14 // The School of Life: An Emotional Education (The School of Life, introduction by Alain de Botton, 2012)

20 // I Who Have Never Known Men (Jacqueline Harpman, 1995)


April 2024

18 // The Forty Rules of Love (Elif Shafak, 2009)


May 2024

14 // Storyworthy: Engage, Teach, Persuade, and Change Your Life Through the Power of Storytelling (Matthew Dicks, 2018)


July 2024

6 // Written on the Body (Jeanette Winterson, 1992)


August 2024

25 // Ordinary Human Failings: A Novel (Megan Nolan, 2023)


September 2024

22 // South of the Border, West of the Sun (Haruki Murakami, 1992)


October 2024

30 // Conversations with Friends (Sally Rooney, 2017)


Categories
2024 reading reading& writing thoughts on things

Amusing Ourselves To Death, by Neil Postman

To hold accountability for myself (and to have a place to store all of the thoughts while reading the book, for help in scripting a final YouTube video (or multiple videos on each point)) here is where I list down all thoughts in the form of mini-essays and headings:


1. The Title

The title Amusing Ourselves to Death feels profoundly relevant, especially in todayโ€™s digital age, where entertainment has taken over nearly every aspect of life. Social media platforms, streaming services, and short-form content like reels and TikToks cater toโ€”and feed ontoโ€”our constant craving for amusement, often at the expense of critical thinking. It makes an already bad situation worse, and keeps on worsening it.

Much like Postmanโ€™s critique of television, modern digital tools prioritize instant gratification. Spectacle over depth and truth. Political campaigns are reduced to viral moments, news is sensationalized for clicks, and even education is gamified to maintain attention. Some things work to benefit, some to detriment.

In a time when distraction has become a cultural norm for all ages, the title underlines the stark reality: societyโ€™s over-reliance on amusement as a form of engagement risks trivializing important issues and eroding intellectual discourse, making Postmanโ€™s warning more urgent and relevant than ever.


2. Orwell vs Huxley

We were keeping our eye on 1984. When the year came and the prophecy didn’t, thoughtful Americans sang softly in praise of themselves. The roots of liberal democracy had held. Wher- ever else the terror had happened, we, at least, had not been visited by Orwellian nightmares.

But we had forgotten that alongside Orwell’s dark vision, there was another-slightly older, slightly less well known, equally chilling: Aldous Huxley’s Brave New World. Contrary to common belief even among the educated, Huxley and Orwell did not prophesy the same thing. Orwell warns that we will be overcome by an externally imposed oppression. But in Huxley’s vision, no Big Brother is required to deprive people of their autonomy, maturity and history. As he saw it, people will come to love their oppression, to adore the technologies that undo their capacities to think.

What Orwell feared were those who would ban books. What Huxley feared was that there would be no reason to ban a book, for there would be no one who wanted to read one. Orwell feared those who would deprive us of information. Huxley feared those who would give us so much that we would be reduced to passivity and egoism. Orwell feared that the truth would be concealed from us. Huxley feared the truth would be drowned in a sea of irrelevance. Orwell feared we would become a captive culture. Huxley feared we would become a trivial culture, preoccupied with some equivalent of the feelies, the orgy porgy, and the centrifugal bumblepuppy. As Huxley remarked in Brave New World Revisited, the civil libertarians and rationalists who are ever on the alert to oppose tyranny “failed to take into account man’s almost infinite appetite for distrac- tions.” In 1984, Huxley added, people are controlled by inflict- ing pain. In Brave New World, they are controlled by inflicting pleasure. In short, Orwell feared that what we hate will ruin us. Huxley feared that what we love will ruin us.

This book is about the possibility that Huxley, not Orwell, was right.

In the Foreword of Amusing Ourselves To Death, by Neil Postman

(create flowcharts for different mechanism, same end result)

Neil Postman juxtaposes the dystopian visions of George Orwellโ€™s 1984 and Aldous Huxleyโ€™s Brave New World to contextualize his argument about the dangers of media-driven culture. While both authors warned of the same end result (i.e. societies losing their freedom and hence, humanity), they envisioned different mechanisms for this decline. 

Orwell’s 1984: External Oppression by Force 
Orwell imagined a society dominated by authoritarian regimes that use force and censorship to suppress ideas and control people. Truth is actively distorted. Individuality is crushed under a surveillance state. Fear ensures obedience. Punishment and propaganda are used as whips to keep citizens in line.

Huxley’s Brave New World: Internal Oppression by Pleasure 
Huxley wrote of a society enslaved by its own desires and distractions. In his world, truth and critical thinking are irrelevant because people are pacified by endless entertainment, consumerism, and indulgence in pleasure. Individuals willingly surrender their autonomy because they are too distracted or content to care about deeper issues.

Which one of these dystopias feel closer to present day home? Are people not reading books because they’re banned by the government, or are they not reading books because they can’t, because it’s just that difficult, because there’s better (read as: easier, more pleasurable) things to do? You spend 8 hours on Instagram or Tik tok or Twitter or YouTube or your chosen drug and do you remember all that you saw? Is that how you want to be spending your 8 hours? Thoughtlessly, mindlessly, with zero intentionality. (Refer to: how in Flow the author writes that even leisure time should have intentional structure for it to be enjoyable.)

Our passive surrender to pleasure and trivial amusements is what has made critical thinking obsolete.

(simplified: carrot vs stick)


3. Reframing of the meaning of pleasure and leisure

Comment on Flow: The Psychology of Optimal Experience, by Mihaly Csikszentmihalyi, and how he writes that even leisure time needs a certain degree of structure for it to be beneficial for you. Pleasure has completely changed its meaning. We don’t find that many things funny lately. Our standards have lowered. Even mildly amusing is deemed as valuable enough to occupy our time.

(past vs present, how the meaning of pleasure has changed for us)


(references or further reading/watching)

Categories
2023 reading

List: Books I Read in 2023! [29]

January = 0
February = 2
March = 3
April = 4
May = 5
June = 3
July = 1
August = 3
September = 4
October = 2
November = 1
December = 1
Total = 29


February 2023

4 // Open Water (Caleb Azumah Nelson, 2021)

12 // The Song of the Cell: An Exploration of Medicine and the New Human (Siddhartha Mukherjee, 2022)


March 2023

3 // Every Patient Tells a Story: Medical Mysteries and the Art of Diagnosis (Lisa Sanders, 2009)

18 // A Little Life (Hanya Yanagihara, 2015)

26 // Tender Is the Flesh (Agustina Bazterrica, 2017)


April 2023

4 // Norwegian Wood (Haruki Murakami, 1987)

17 // The Lupus Book: A Guide for Patients and Their Families (Daniel J. Wallace, 1995)

19 // Hold Me Tight (Sue Johnson, 2008)

21 // How to Love (Thich Nhat Hanh, 2014)


May 2023

2 // The Course of Love (Alain de Botton, 2016)

10 // Jaya: An Illustrated Retelling Of The Mahabharata (Devdutt Pattanaik, 2010)

10 // How to Relax (Thich Nhat Hanh, 2015)

13 // Vampire in Love (Enrique Vila-Matas, 2016)

26 // The Kind Worth Killing (Peter Swanson, 2015)


June 2023

5 // The Joy of Not Thinking: A Radical Approach to Happiness (Tim Grimes, 2019)

10 // Essays in Love (Alain de Botton, 1993)

17 // Anxiously Attached: Becoming More Secure in Life and Love (Jessica Baum, 2022)


July 2023

6 // Fear of Missing Out: Practical Decision-Making in a World of Overwhelming Choice (Patrick James McGinnis, 2020)


August 2023

4 // The Book Thief (Markus Zusak, 2005)

17 // Gone Girl (Gillian Flynn, 2012)

19 // The Little Book of Skin Care: Korean Beauty Secrets for Healthy, Glowing Skin (Charlotte Cho, 2015)


September 2023

1 // Courage to be Disliked (Fumitake Koga and Ichiro Kishimi, 2013)

7 // Why be Happy When You Could be Normal? (Jeanette Winterson, 2011)

22 // Create Dangerously (Albert Camus, 1958)

25 // Letters to a Young Poet (Rainer Maria Rilke, 1929)


October 2023

5 // Sleep Smarter: 21 Essential Strategies to Sleep Your Way to a Better Body, Better Health, and Bigger Success (Shawn Stevenson, 2014)

31 // The Echo Wife (Sarah Gailey, 2021)


November 2023

20 // Feminine Lost: Why Most Women are Male (Jennifer Granger, 2014)


December 2023

14 // Meditations (Marcus Aurelius, 1634)

Categories
2022 reading thoughts on things

How To Read More: 3 Concepts

1. Make It Your Default Activity

When bored or waiting, we invariably find ourselves resorting to our default device i.e. our phones. The endlessly refreshable, scrollable, swipable feeds are stimulating. 5 minutes become 2 hours.

Instead consider this alternate scenario if you aim to read more books for your own good: You’re bored and you have a book on hand. You read half a page. You read a whole page. Then a chapter. Even if you were to stop at half a page, it would still have been fine, considering that’s half a page more than what you’d otherwise have read.

Read on your commute. Read in class. Read before sleeping. Read right after waking up.

Just replace 30% of the times you take the phone with taking a book and you’ll be amazed. Just choose reading your default. Make it your choice of chilling.

2. Decrease Visual Content Consumption

We consume so much these days. TV shows, web series, memes, reels, what not. In and in and in. On and on and on. But there’s only a limit, right? There’s only so much one can take in.

And if you’re neck-deep saturated with visual media, then there’s no room for other things. You need to make room. You need to remove things from your plate before you can add more. Elimination before addition.

Try to limit/decrease/nullify your visual media consumption and there will be space for the old school books on its own. You’ll find yourself naturally gravitating towards the pages. And that’s how it should be. A natural leaning in towards reading, not forcing yourself to read.

3. Read Multiple Books Parallelly

At any point of time, if you were to ask me what am I reading, more often than not, I’ll start spewing a list of books. Three in the least, generally five.

Why? Why read multiple books parallelly?

Because we crave variety. Different things at different times.

I may be sad and want to read poetry. I may want to motivate myself and read self-help. I may want to read a slow book. A big book. A fiction book. A safe book. A page turner. A cliff-hanger. Oh my, so much variety! Different moods warrant different types of text as being pleasurable, enjoyable.

As for me, I generally have a big, heavy one + a motivational thingy relevant to academics + an easy, light read that I can turn to even if I’m tired AF. These going parallelly.

Right now, here are the ones I’m reading, with their contexts as they concern me:

1. Hyperfocus: How to Work Less to Achieve More (by Chris Bailey)

Read one section before sitting down to study to clear my head and keep the high up.


2. No Matter the Wreckage (by Sarah Kay)

Read to write. I read poems in here to open the gate of emotions and words inside me so that I can write poems. Yeah. Works.


3. No Sweat: How the Simple Science of Motivation Can Bring You a Lifetime of Fitness (by Michelle Segar)

I read anything in here and am convinced to go work out.


4. Pole Dancing, Empowerment and Embodiment (by Samantha Holland)

Started for obvious reasons. Interesting, if only a little too academic, read so far.


5. The Lupus Book (by Daniel J. Wallace)

After The Emperor Of All Maladies by Siddhartha Mukherjee, I’ve found that reading a book on the disease/disorder/topic you’re interested in, makes you infinitely more receptive for the textbook content on the topic and it somehow makes you like the topic.


6. The Daily Stoic (by Ryan Holiday)

Ah. It’s a slow read and I’m now enjoying it so this has been an ongoing book since a couple of months.


7. How Not to Die (by Gene Stone and Michael Greger)

Oh my, 800 page book. I’m halfway through and tbvh, it has kinda gotten repetitive at this point. Meat bad, plant good, eat nuts. But yeah, let’s see. Slow read again. Ongoing since a couple of months.

Categories
2021 reading reading& writing

List: Books I Read in 2020! [Post-NEET]

  • October = 9
  • November = 5
  • December = 6
  • Total = 20

October

2 // Eve’s Hollywood (Eve Babitz, 1974)

3 // Damn Good Advice (George Lois, 2012)


5 // Origin (Dan Brown, 2017)


11 // A Thousand Splendid Suns (Khaled Hosseini, 2007)


13 // Ways of Seeing (John Berger, 1972)


21 // Call Me By Your Name (Andre Aciman, 2007)


23 // Find Me (Andre Aciman, 2019)


23 // Next (Michael Crichton, 2006)


31 // Flow: The Psychology of Optimal Experience (Mihaly Csikszentmihalyi, 1990)


November

3 // The Red Scrolls of Magic (Cassandra Clare and Wesley Chu, 2019)


9 // The Ethical Slut (Dossie Easton and Janet Hardy, 1997)


14 // Circe (Madeline Miller, 2018)


15 // Digital Fortress (Dan Brown, 1998)


25 // Shantaram (Gregory David Roberts, 2003)


December

2 // The Lost Symbol (Dan Brown, 2009)


14 // Life of Pi (Yann Martel, 2001)


15 // Vagina: A New Biography (Naomi Wolf, 2012)


18 // Digital Minimalism: Choosing a Focused Life in a Noisy World (Cal Newport, 2019)


18 // The Bloody Chamber and Other Stories (Angela Carter, 1979)


22 // Handmade: Focus in the Age of Distraction (Gary Rogowski, 2017)

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